因流感(gǎn )感染(🎹)的(de )死者突然复(🌻)活(🎩),变成丧(sàng )尸开(🍮)始疯狂撕咬(yǎ(📂)o )活(🐔)人,被咬后的活(🔩)人纷(fēn )纷变成(🥘)(chéng )丧尸,一场末日(🚛)(rì )丧尸之(zhī )战(👓)自此(cǐ )开始...
贤真(🃏)搬进了(le )破旧不(🏉)(bú )堪的小镇公寓(♟),由于隔(gé )壁邻(🍅)居的吵闹声(shē(👛)ng ),睡(🐰)不(bú )着觉。但是(🚥)公寓(yù )管理员(😻)(yuá(🐜)n )告诉贤真,整栋(⤴)(dòng )大楼并(bìng )无(🤘)其(🧕)他租客。怪(guài )事(📋)接二(èr )连三而(🤟)来(⛹),所有(yǒu )的一切(🆔)(qiē )似乎都指向(🔊)了(🥧)叫(jiào )珠熙的(de )神(🔪)秘女子。
中年(niá(🧚)n )建(🤟)築師(shī )遇上人(🏇)生瓶頸,在家被(🔌)(bèi )老婆嫌棄,公司(📤)(sī )小開兔(tù )死(🐩)狗烹。失業的他在(🗄)曼(màn )谷街頭(tó(🏃)u )驀然回首,瞥見(jià(🛑)n )大象Pop Aye,憶起歡快(🏯)的童年(nián )時光,毅(⤵)然買下大象,卻(⛹)發現(xiàn )都市生(🧤)活(👫)容不下(xià )他倆(🎏),打算和老象一(➿)路(🗜)(lù )向北返(fǎn )鄉(🌒)。這趟人與象(xià(🏾)ng )的(📱)公路(lù )之旅,途(🌨)中狀況(kuàng )不斷(⏺),所(🎄)幸萬能的象鼻(🍟)(bí )領著他(tā )倆(👋),與(♊)沿路風景(jǐng )相(🐧)伴。《爸媽不在家(🎧)》導(🛒)演陳(chén )哲藝監(🐩)製,阿比(bǐ )查邦(🦑)御(yù )用剪接(jiē )操(😽)刀,看擅長冷(lě(👀)ng )幽默的(de )才女導演(🏯)陳敬音(yīn ),用象(😵)(xiàng )鼻對抗中年危(🈁)機(jī )!將泰(tài )國(✈)鄉下的荒涼風(⛳)(fē(🔁)ng )景,轉(zhuǎn )變成一(⬇)首洋溢著(zhe )淡淡(👓)霓(🆙)(ní )虹光芒的自(📓)我蛻(tuì )變之歌(🔤)(gē(🏕) )。
七位女导演的(🍫)(de )恐怖故(gù )事拼(🕖)盘(👷)。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.