克里斯蒂安贝尔1.

深(shēn )圳(😑)记(jì )者周安(🎨)娜(nà(🍙) )追随(suí )爱情(🙋)(qíng )来(🛂)到新疆，投(tóu )身“一(💊)带一路”事业中，她(🔳)的未婚夫李(lǐ )明(🍵)旭(xù(😷) )作为国企(qǐ(🕤) )油田(tián )高管固守(🌏)(shǒu )旧(😼)观(guān )念，瞧不(🙏)起提(🐻)(tí )供外(wài )包(🕌)服务的民营企业家杜(🐷)亚新，与周(zhōu )安娜(📖)(nà )产生分歧。而(é(🏌)r )卷入(📽)(rù )这场纷争(✡)(zhēng )的周(zhōu )安娜最(🌒)后(hòu )发现(xiàn )自己(🐂)(jǐ )的(✉)爱情也陷入(🍤)两难选择。

Laura Wagner has a promising career as a young auctioneer, but her life looks set to fall apart when she's the victim of a rape. The rapist is a well-known and respected gallery owner, and the assault takes place after a cocktail party. Laura knows it's unlikely she'll be believed if she files a complaint. But that same night the gallery owner's wife is murdered at home, and the husband is a suspect. His alibi is that he was raping Laura. When the police ask Laura to confirm the alibi, she realizes she can take her revenge by letting her rapist be convicted of murder

清末民初(chū(🔤) )军阀四起战(🖋)火绵(⚓)绵(mián )，老(lǎo )百(🐎)姓深(🐞)陷(xiàn )水深(shēn )火热(⛲)之中(zhōng )，很(hěn )多人(⛎)(rén )妻离子散，家(jiā(🎏) )破人(🌂)亡。然而有一(🍟)座偏远的小山镇(🦗)，却(què(😛) )独享(xiǎng )着这(⏰)一片(👈)(piàn )安宁(níng )。但(💿)好景(jǐng )不长(zhǎng )，镇(zhèn )上(🖖)突然发(fā )生了(le )一(⤴)些离奇命案，死去(😰)的都(🔼)是村里的(de )青(🍰)年(nián )壮汉，闹的人(♍)(rén )心惶(huáng )惶。一向(🍴)(xiàng )夜(✖)不(bú )闭户的(🎇)他(tā )们天(tiān )还没(méi )黑(🤨)就关门上锁(🛴)，不再(👓)外出。但这并(⛔)(bìng )非(🤶)长久之计，镇长(zhǎ(🤴)ng )为此(cǐ )召集百姓(🍥)(xìng )，筹(chóu )集钱财招(🧢)(zhāo )揽(🐎)能(néng )人异(yì(👓) )士，希望能找(zhǎo )出(💳)根源(👥)，除去祸患。

In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.

不(👑)管这(🈯)导演嗑了什(🚇)(shí )么很(hěn )纯的，全(quán )部(🌝)都(dōu )要给你来(lá(🌕)i )一点(diǎn )！在澳洲这(🥅)座(zuò(🛢) )曾经(jīng )被称(🎼)作「无主之地」(🏛)（Terra Nullius）的大陆，历史(🐕)(shǐ )以(🥦)前所未见的(💝)(de )观点(diǎn )重新诠释(shì )：(🥡)当(dāng )《疯狂麦(🚺)(mài )斯(🌸)》末日(rì )场景(🍶)成为(📇)难民拘留地，食人(📜)羊成为(wéi )反殖民(⏳)叛乱份子，《沙(shā )漠(🦊)妖姬(💊)》与电(diàn )视剧(✈)《请(qǐng )喜欢(huān )我》有(🐿)了跨(🎇)时空的(de )酷儿(🥒)对话(🐃)……本片以(💌)近似DJ取样混音之拼(pī(🥉)n )贴手法，打开(kāi )了(🔣)虚(xū )构与史实(shí(🥪) )间的(♎)(de )神秘黑洞，大(🖇)(dà )量援(yuán )引电影(🌗)名场景与历史典(👿)故，穿(💴)越时(shí )空与(🛐)各种语境，重(chóng )写、改(🚽)写、乱(luàn )写(🚖)，全面(📌)毁坏(huài )观众(🎊)(zhòng )的(🍷)三(sān )观！这是一部(🎁)政治复仇预言，杂(🎴)揉讽刺喜剧、生(📻)态恐(🕠)(kǒng )怖与(yǔ )公(👏)路电影(yǐng )类型(xí(🍮)ng )，写下(🎼)澳(ào )洲国(guó(🏢) )族神(🈸)(shén )话从未被(㊗)纪录(lù )的史诗篇章。

A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’(📗)s what makes this story interesting.

卢鹏程，白天是普(🤺)通住(zhù )宅小区里(🦖)的保(📦)(bǎo )安，晚上是(⏺)酒(jiǔ )吧通(tōng )宵驻(♟)唱歌手。 卢鹏(péng )程(🎬)对保(🎠)安工作毫无(🧀)兴趣，终日在传(chuán )达室(🧜)里晕睡、补(👋)觉(jià(🏳)o )，甚(shèn )至个性(🚛)自(zì(🔗) )视清(qīng )高，不爱(à(❕)i )与同(tóng )事来(lái )往(🎗)。 他有一个歌手梦(⛰)，但十(🤾)年来，毫无进(🏻)展，反复辗(niǎn )转在(🎣)(zài )三(🚾)流酒吧(ba )里驻(⛲)(zhù )唱(🧑)，收入(rù )无法(🔵)(fǎ )保障(zhàng )。保安工作是(🐦)(shì )他难得找到的(👄)一份有稳定收入(🐫)，他认(💽)为(wéi )白天“清(💤)闲”的工(gōng )作。 但长(🌍)(zhǎng )期黑(hēi )白颠倒(🚆)的状(🈲)态(tài )和无(wú(🖕) )法实现梦想的压抑，令(💏)他呈现颓废(🔗)(fèi )，尤(🌯)其在三十岁的(de )当(🌲)天(tiān )。 因为卢(lú )鹏(👰)程(chéng )的主要疏(shū(💾) )忽，盗窃(qiè )贼假扮(🕦)搬家(🎆)公司，大白天(🦃)搬空了小区里的一家(🚇)住户，刑事(shì(👆) )恶劣(💰)，住(zhù )户损(sǔ(🍀)n )失惨重。卢鹏(péng )程面(mià(⛄)n )临被辞退。当(dāng )晚(🔕)，在驻唱酒吧内，女(🖤)友李(🚒)晓华送(sòng )上(💻)三(sān )十岁的生日(👧)蛋(dàn )糕，向卢鹏程(🔖)(chéng )求(🖲)婚(hūn )，卢鹏程(🔟)不仅(jǐn )回避(bì )，演唱时(🌽)与客人发生(♈)暴力(♿)冲突，将(jiāng )怨气都(🧥)发泄在此。李晓(xiǎ(🗼)o )华失望离(lí )开，卢(⬛)鹏程被(bèi )酒吧(ba )辞(🍭)退(tuì(🏇) )。 卢鹏程与李(🎶)晓华是大学同学。十年(🏂)里，李晓华一(🗳)度(dù(♟) )放弃(qì )自我(🤾)，在(zài )精神(shén )和经济上(🍍)(shàng )支持(chí )卢鹏(pé(🛹)ng )程，等来的却(què )是(🥨)卢鹏(🚊)程一次又一(😶)次的追梦失败和(💍)(hé )回避(bì )他们的(💈)爱情(🔕)。 第二(èr )天卢(👿)鹏程(chéng )清醒(xǐng )后，李晓(🤥)华在(zài )卢鹏(péng )程(✡)家里照顾身体渐(🕹)差的奶奶，正式(shì(🌹) )向卢鹏程提出分(😅)手(shǒu )，卢(lú )鹏程依(🦄)然(rá(♉)n )没有(yǒu )勇气(🤧)挽回(huí )。 三(sān )十岁(suì )，像(🖐)是所有关于(🚼)青春(⚾)的热血都戛(🎽)然而止。 巧合的是政(zhè(👌)ng )府组(zǔ )织了一次(🌶)(cì )社会(huì )主义核(🗽)心(xī(⛵)n )价值(zhí )观原(🦏)(yuán )创歌曲歌手选(🗿)(xuǎn )拔大赛，卢鹏程(🕥)百般(👧)斗争克服了(🤗)亲(qīn )情的(de )变故，外界舆(🍓)(yú )论的(de )压力，对(duì(👁) )爱父(fù )母爱情的(🆚)憧憬(jǐng )，自(zì )己婚(🤪)姻渴望在决赛中(😉)一举成名，最(zuì )终(🛷)收获(📷)了美丽的妻(🍑)(qī )子李(lǐ )晓华。

The Leprechaun returns once again, when a group of girls unwillingly awaken him, when they tear down a cabin so that they can build a new sorority house.

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.