《亲密爱人》9.

阿黛(dài )尔和她的母亲孔(kǒng )查生(shēng )活在(🏨)城郊的一(😌)(yī )个贫民(⛅)窟里。孔查(chá )的丈夫是个可恶(è )的暴(bào )徒，他使母女(nǚ )俩长期生活在(zài )暴力(lì )和(💟)虐待之中(🧝)。对此忍无(🧘)可忍的孔查(chá )决定(dìng )不顾一切(qiē )风险(xiǎn )，偷走一大笔钱，并带着女儿阿黛(dài )尔逃(🤚)(táo )离。不幸(🌚)的是(shì )，她(🌇)们在出逃(táo )中被(bèi )发现了。在追捕(bǔ )过程(chéng )中，孔查却意(yì )外地驾车撞死(sǐ )了丈(♎)(zhàng )夫……(💑)这场逃离(❎)(lí )注定(dìng )是一次冒险，而母女俩竭尽(jìn )全力(lì )，才能挣脱一直(zhí )禁锢(gù )她们的牢(🐠)笼。在这段(🔂)跨越生(shē(🍇)ng )命的(de )寓言中，力量、困难、爱的希望、机会(huì )和死亡如(rú )影随(suí )形。

林奇为救身(😆)患绝症的(📊)女儿，加(jiā(☝) )入了(le )富豪齐腾、医(yī )学专家岚若、地质(zhì )学家胖子及雇佣(yòng )兵团(tuán )等组成的(🛢)冒险(xiǎn )小(🖕)队，踏上了(⏱)(le )寻找(zhǎo )“生命之果”的(de )旅程(chéng )。在这片危险(xiǎn )密布的丛林中(zhōng )，险(xiǎn )象接踵而至，队(duì(🤵) )员接(jiē )二(🔺)连三遇难(👪)身(shēn )亡，暗处似乎(hū )还潜(qián )伏着觊觎他们生命的凶残猛兽。想(xiǎng )要逃(táo )离的队员(🔉)(yuán )和齐(qí(💴) )藤的关系(🐑)越发(fā )紧张，与此同时，生(shēng )命之(zhī )花即将开放，神秘猛兽的真(zhēn )面目(mù )也浮出水(🗒)面。

每(měi )年(🥄)八(bā )月，夜(🚖)幕降临(lín )下的爱丁堡城(chéng )堡，就只属于戏剧和(hé )军乐(lè )，力与美的表(biǎo )达。

20世纪福(🎀)克(kè )斯最(🏚)(zuì )近买下(🎆)了Alma Katsu下部小(xiǎo )说《饥饿》（The Hunger）的(de )电影版权，这(zhè )部小(xiǎo )说以《行尸走肉》的风格叙述了北(🏰)(běi )美历(lì(🤮) )史上最恐(🌒)(kǒng )怖的(de )一段“食人”历史。

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.

在革命烈士纪(jì )念碑(bēi )前，抗战老兵(bīng )王二回忆起了(le )自己(🔯)(jǐ )曾经的(🍽)前辈、导(🚄)(dǎo )师及(jí )战友。在那个(gè )战火纷飞的年(nián )代，侵华日军的铁蹄(tí )踏到(dào )了王二所(⏸)在的(de )村子(🍧)里。十五(wǔ(🧥) )六岁(suì )的王二胆小懦弱(ruò )，无(wú )依无靠的他在(zài )炮火中无所适(shì )从，直到一个八(🚀)路军的班(🐧)解救了他(☝)。就(jiù )此他(tā )结识了有(yǒu )勇有(yǒu )谋的班长赵真(zhēn )，机灵的侦查员张鹏(péng )，大(dà )大咧(✴)咧的警卫(📟)(wèi )员孙大(🖖)嘴，谨(jǐn )慎的(de )刘贵，沉着的狙(jū )击手(shǒu )周大宝，善良(liáng )的卫生员叶琳(lín )，以(yǐ )及因厌(🚏)恶侵略战(🌥)(zhàn )争而(é(🍴)r )投靠八路军的(de )原日军成员小(xiǎo )林健(jiàn )次郎。赵真所在(zài )的班(bān )因解救王二而(é(🥋)r )与大部队(🕔)失散(sàn )，他(🏋)(tā )们一行人带着王二，在日军的封锁(suǒ )区艰(jiān )难的寻找(zhǎo )着大(dà )部队。在战火(huǒ(🌔) )的洗礼中(💎)，他们每个(♈)(gè )人都(dōu )面临着突破自(zì )我的考验……

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.