Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.
In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.
馬(🛌)(mǎ )賊入(😐)(rù )村(🔘)劫(🥪)掠,九(jiǔ(🎲) )歲男孩(hái )從此失(shī )去母親。親(💔)戚接(jiē(🔐) )他到異(🎥)(yì )鄉居(🛢)住(zhù ),新生活真的在前面等(dě(👈)ng )着驚魂(💊)(hún )未定(🥒)的他?(♈)遠山連 綿,林徑迂(yū )迴,故事彷(🎤)(páng )彿於(👻)路的盡(🌑)(jìn )頭開(😮)始(shǐ )了,無(wú )緣無故在轉角暫(📆)(zàn )時(♿)消(🥜)失(🏕)(shī ),拐(🏏)了(le )一個彎又重現。夢境和(hé )現實界(jiè(😼) )線變(❄)得(🐦)模糊之(🎻)際,男孩(hái )所能緊(jǐn )緊擁抱的(〰),只是亡(🎻)母告(gà(🚚)o )訴過他(🦎)(tā )的神話(huà )故事(shì ),關於受詛(🦍)(zǔ )咒的(🎀)憤(fèn )怒(🚈)復仇(chó(⏹)u )之神馬勇,關於(yú )不知不(bú )覺(😇)間緩(huǎ(💶)n )慢而實(🕞)在的成(😐)長。佩舒(shū )彭德拉(lā )辛格的第(💮)二部作(🏦)品,處(chù(🕥) )處閃現(xiàn )薩耶哲雷、杜魯福和域(yù(💣) )陀艾(👐)里(😸)(lǐ(🖐) )斯的(📝)光(guāng )影風格,滲透在(zài )黑白之(zhī )間,純(👡)(chún )粹(💀)的(😩)美,複合(🕔)的痛。
在(zài )《绑架(jià )王公子1》之中(👬),大狸子(🐲)(zǐ )爵士(😊)惨(cǎn )遭(⚓)王某人格侮辱。续集(jí )中,大(dà(💌) )狸子密(🤠)(mì )谋了(🍕)一场骇(🐕)人听(tīng )闻的谋(móu )杀案......
在(zài )两(🎫)轮服役(🎎)后,乔(qiá(🛏)o )在等待(🔃)(dài )战后综(zōng )合症治疗的过程(🎪)中正常(🐿)(cháng )生活(👩)逐(zhú )渐瓦解
17歲的莎拉全心投(tóu )入學(🔁)校(xià(🍛)o )的(🃏)戲(🌲)劇排(🎛)練(liàn ),赤裸地體(tǐ )驗舞台(tái )上和生(shē(😖)ng )活中(🍳)的(👲)暴力。當(⛷)(dāng )她試圖(tú )揭露深(shēn )藏心中(🍵)的醜陋(🚬)秘密,高(🌯)(gāo )聲呼(🌺)喊(hǎn )卻孤立無援,於是在莎(shā(😄) )士比亞(🤛)(yà )和華(➰)格納的(🕦)經典劇目中(zhōng )尋找寄(jì )託,她(🅱)(tā )想握(📎)有茱麗(✔)葉的(de )匕(👶)首,想跟隨(suí )伊索德的腳步殉(🌖)(xùn )情而(🌓)去(🎆)(qù ),當(😻)她(tā )站上舞台,她是否能對(duì )世界展(📥)(zhǎn )開(🕯)反(📐)擊(🍊),扮演(👢)的界線究(jiū )竟在哪(nǎ )裡?