藤冈(🦏)靛(diàn )在(✉)片(pià(⛹)n )中(zhōng )饰演引发奇迹的正(🔒)(zhèng )体(🤷)不明(mí(💨)ng )的主(🥗)人公拉乌(wū ),尽管(guǎn )他的国籍(💏)与语(yǔ )言不(🤠)明(míng ),但是温暖的(de )笑容却(què )有(🐏)种不(👝)可思议(☔)的力(💙)(lì )量,影片通过超越国(guó(🏗) )籍与(🅿)宗(zōng )教(🗒)的年(💣)轻人们(men )的友情(qíng ),自然地反应(🙃)(yīng )人们(🍝)的(de )生(🔍)活。影片全篇外(wài )景在印度尼(🏫)西亚(🌚)苏门(mé(🥂)n )答腊(🐿)岛(dǎo )拍摄,用时一(yī )个月(🗯)。
After being double-crossed by Hondo on her own ship, Maz tells some stories.
A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’s what makes this story interesting.
Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol.
这(🈶)部电影(👦)的(de )故(📮)事背(bèi )景让人不禁回(huí(🕶) )忆起(🔹)(qǐ )《逃出(😸)绝命(🍊)镇》。一(yī )位黑人(rén )男性(杰森(⚫)·米切尔(ě(🚫)r )饰)在周末的(de )时候,因为觉得(📨)周围(👨)(wéi )只有(🗺)(yǒu )白(🏛)(bái )人朋友所以觉得十(shí(🌏) )分紧(🌘)张。当然(🏻),这部(🏁)(bù )作品与(yǔ )乔丹·皮尔去(qù(🌍) )年那部(🍸)(bù )符(🐽)合大众口味(wèi )的《逃(táo )出绝命(🌄)镇》不同。智利(🐯)导演(🛴)塞巴斯蒂安(ān )·席尔(ě(🐿)r )瓦是(🚊)一个古(🚭)怪(guà(🔦)i )的人,他的电影如《女仆》、(🍐)《水晶(🌝)仙女》、(🏌)《肮脏(🉑)的婴儿》都倾(qīng )向于剑(jiàn )走偏(🥫)锋,故事(😟)(shì )开(💱)始会(huì )有点怪异,而(ér )之后则(🥞)(zé )会(📙)变得更(🥑)加怪(🛡)(guài )异。这(zhè )种风格对于《周(👴)末(mò(💈) )生日游(🤼)》意味(⬛)着什么(me )呢?还(hái )不知道。但我(🤘)(wǒ )们非(👟)常(chá(🍎)ng )期待这种不确(què )定性,况且演(💀)员阵容中还(🕦)(hái )有克里斯托弗·阿伯(bó )特(💤)、迦(📅)(jiā )勒兰(💀)德里(👓)·琼(qióng )斯,迈克(kè )尔·塞(👌)拉和(🗼)安(ān )·(🥌)道德(💘)(dé )。
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
在法院擔任公設(shè )辯護人(♎)的李慧(😙)貞,接(🚊)(jiē )任一樁(zhuāng )由名律師王國(guó(😅) )超中(😧)途(tú )解(🐳)除委(🍓)任的青(qīng )少年殺(shā )人案(🏙)。