简介
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
一名(🖥)(míng )参(🛩)加过(guò(👬) )一战的退(tuì )伍军人(🐨)被派(🆎)往库塔(🗿)那德担(dān )任邮差，负(🍒)责给(🈸)(gěi )服役(🤵)士兵的家属递(🤛)(dì )送(👭)补助金(jīn )及信件(jiàn )。随着第(🌁)二次(💟)世界(jiè )大战的爆发，他(tā )的(🕐)(de )身份(🌓)逐渐发(👪)生了(le )变化，从送钱之(✅)(zhī )人(🔽)(rén )变为了报丧之人(🎱)(rén )。
《水族(🌃)魂1944》电(🧢)(diàn )影(yǐng )取材于上世(🐣)纪40年(niá(👻)n )代抗(🗨)日战争日本(běn )投降(😉)前夕，发(🚓)生在(🌔)(zài )贵州三(sān )都(🤧)水族(🕌)自(zì )治(🕌)县九阡镇的真实(shí(🤱) )历史(💂)事(shì )件(👼)。编剧(jù )多次实地采(🔚)风走(🤜)访，在走(zǒu )访了当年(niá(🖋)n )亲历(💓)者(zhě )和掌握大量的史实(shí(📣) )资料(🎲)后，通过写(xiě )实(shí )的手法再(🎰)现了(🕥)当(dāng )年水族人民英勇(yǒng )抗(🦔)(kàng )击(🖤)日本侵略者(zhě )的(de )故(🤩)事，体现(🐦)了中(🏐)(zhōng )国(guó )人民抗击侵(🖖)略者(zhě(👀) )的决(💩)心，谱写了(le )一(yī )曲贵(🎪)州少数(🍑)民族(zú )人民抗击日(🌬)本侵(⬛)(qīn )略者(🏍)的英雄赞歌！《水族(zú(👿) )魂1944》这(🛷)部(bù )电(🔓)影在抗日战争爆(bà(💇)o )发80余(🛣)年(nián )后的今天(tiān )推出(👶)，其真(💷)正意义于中华(huá )民族抗战(🥦)(zhàn )有(🏷)益，更是贵州抗战历史(shǐ )上(🙀)不可(😿)磨(mó )灭，是(shì )光(guāng )辉灿烂，浓(😻)墨重(🤙)(chóng )彩的一笔，对贵(guì(📵) )州(zhōu )少(📯)数民(🍁)族抗战(zhàn )的(de )肯定和(👞)宣扬有(🏹)着(zhe )重(🉑)(chóng )要的作用。
Identical twin brothers become hybrid A.I (artificial intelligence) entities, yet torn in different directions to achieve justice for humanity.
나만 사(⬜)랑하겠(🙊)다던 그놈이 떠났다(💀). 평생(🤬) 한 명의(🎌) 남자만 만나온 "오선(☔)영"의(🐌) 첫 실연(🥑) 극복기
印度每年(niá(🚤)n )有超(🔼)过二万宗针对(duì )女性(👵)的(de )暴(🌧)力罪案(àn )，平均每二十二分(🦁)钟就(📃)有(yǒu )一(🗼)名女性(xìng )被强暴(bà(🚏)o )，每六(❎)小时就有一(yī )名妇女因(yī(🍵)n )家庭(✖)暴(bào )力(lì )丧命。年轻(🖊)的基(jī(🌧) )层女(🍆)警索妮与上(shàng )司(sī(🛎) )卡帕纳(🖋)在德(🚘)里(lǐ )一(yī )同接手调(⛅)查不同(🎚)(tóng )的(de )女性暴力事件(🍞)，在办(🍗)案过程(📮)中往(wǎng )往(wǎng )遭受到(👀)了重(🕐)大阻(zǔ(🦏) )力，无日无之的(de )罪案(🗡)令她(🛫)脾气暴躁(zào )，做事(shì )方(✍)式偏(👊)离(lí )常规，被裁定在执(zhí )勤(🐈)中行(💡)(háng )为不(🔭)当，而私人生活也影(➡)响到(🆑)了她(tā )的职业表(biǎo )现，与(yǔ(🔀) )丈夫(🥔)已经彼此疏离(lí )，却(🍈)要被(bè(🚌)i )迫面(🦊)对(duì )他(tā )突然的到(🥟)访。印(yì(💻)n )度电(🥤)影少见的写(xiě )实(shí(🍆) )题材，以(🏵)一场(chǎng )一(yī )镜营造(💘)出真(🤵)实迫(pò(💟) )力(lì )，将社会低下层(🔕)(céng )女(🍗)性受到(🐆)压迫的(de )问(wèn )题表露(🐴)无遗。
牧(mù )江村郊野山藏有(📎)(yǒu )一(❄)怪，赤面獠牙，名曰垃(lā )圾人(🕗)，他(tā(✏) )身世神(🤶)秘，以垃圾(jī )为食，日(🥫)遇村(📒)妇(fù )马秀娟，将其掳掠。马秀(💺)(xiù )娟(🚱)通过与(yǔ )垃圾人(ré(🏏)n )的交往(🏟)，发现(🚳)他虽(suī )丑陋骇人(ré(📃)n )，却心(xī(🍢)n )地(dì(📐) )单纯。但天不遂(suí )人(💮)愿，“单纯(📔)”的(de )垃圾人却将马(mǎ(♒) )秀(xiù(🐻) )娟视为(🔨)配偶，囚(qiú )于(yú )废弃(📻)厂房(🛎)。矿山(shā(🤤)n )老板徐东南徐西(xī(🤴) )北(běi )两兄弟欲借炸山(shān )除(👹)垃圾(🐵)人之名在(zài )野山非法拓矿(🙀)，全(quá(🤜)n )然不顾(🚏)(gù )马秀娟安(ān )危。而(💡)垃圾(🍸)人通过(guò )马秀娟(juān )逐渐了(🎬)解(jiě(🛌) )人类的尊重与爱，遂(⏩)将其(qí(🥦) )放归(🎑)牧江(jiāng )村。马(mǎ )秀娟(🎶)得知徐(😡)东南(🈶)阴(yīn )谋后为救(jiù )垃(👿)圾人(ré(😮)n )与之抗争，最终被(bè(🐁)i )绑于(🥅)山上，垃(🎶)圾(jī )人(rén )为救马秀(📧)娟与(🏍)(yǔ )徐(xú(🤖) )东南死命相搏，后(hò(💥)u )被徐东南炸死。环保组织声(🐉)明垃(💗)(lā )圾(jī )人出现乃牧江村(cū(🔔)n )的环(💹)保意识(♏)薄弱(ruò )之恶果，垃圾(🔭)人本(🕚)(běn )无罪，罪在人心(xīn )对环境(💄)的态(♿)度，并(bìng )呼吁民(mín )众(🆓)善待环(😌)(huán )境(🎢)。
本片撷取了发生在(🏚)中(zhōng )国(📳)北方(🛏)小(xiǎo )城镇中(zhōng )一个(😷)中国青(🤷)年出狱(yù )后的一段(🏏)(duàn )人(🍹)生经(jī(🚃)ng )历，讲述了一个小(xiǎ(🚁)o )人物(🛣)在商品(🎰)经济(jì )的(de )大潮中与(🚮)时代(dài )的(de )隔离，以及人们(men )对(🐿)(duì )金(⚫)钱的崇尚和理(lǐ )想、道德(🖱)的流(😨)失(shī )，对(✋)社会与人性作(zuò )出(🧤)了深(🔓)度拷问。尤其是本片以中国(🐙)(guó )农(🦏)历冬(dōng )季的四个(gè(📧) )节气作(🗑)为篇(🧙)章，具(jù )有强烈(liè )的(🤡)中国文(🍄)(wén )化(🌲)符号视觉。
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.