妈正传7.

麦子的(de )丈夫马豆根(⏬)在煤(🌂)(méi )矿事故(🌁)中受了(le )伤(👊)，完全(quán )瘫(🎲)痪(huàn )不能治愈，由此引(📣)发出(🕚)麦子(🐰)跟(gē(🚡)n )马豆根和(🏷)矿主(zhǔ )老(🔯)于(yú )之间(jiān )充满(mǎn )悬疑色彩的(🚛)一场(✍)人性较量(👧)(liàng )，麦子用(👧)她的(😎)坚贞(🐳)(zhēn )和执(zhí )着发(fā )现了(🚷)(le )美丽(💈)谎言背后(🎱)的真相，她(📲)(tā )对未来(😙)的生活(huó )也不(bú )知会(huì )做出(chū(♍) )怎样(👀)的选择。

被(➿)誉为“二十(😒)一(yī )世纪大师舞作(zuò )”的(de )阿库(kù(➕) )·汉(🍭)(hàn )姆版《吉(🌾)赛尔(ěr )》，由(💁)英国国家(🕺)(jiā )芭蕾舞团首演(yǎn )于(🤣)2016年(niá(👁)n )。演(yǎ(🧖)n )出收(🛍)(shōu )获了媒(🚯)体和评论(✉)的一致认可，《独立报》、《每(měi )日电(📷)(diàn )讯(〽)报(bào )》和《舞(💔)台报》五星(📘)好评(🚒)(píng )，《泰(🐴)晤士报》和(hé )《卫(wèi )报》也(🎸)给(gě(🚙)i )出四星推(📁)荐。作品拿(💞)下了(le )当年(🕦)的奥利弗奖杰(jié )出成(chéng )就奖(jiǎ(🎚)ng )，阿库(🐳)·汉姆也(🆔)凭此获得(🍡)了英(yīng )国国家舞蹈奖(jiǎng )最佳(jiā(🔸) )编舞(🏿)(wǔ )奖。被誉(🕥)为“二十一(🎾)世纪大师(👖)舞作(zuò )”的阿库·汉(hà(💒)n )姆版(bǎn )《吉(🍯)(jí )赛(😣)尔(ěr )》，由英(🍩)国国家芭(🌒)蕾舞团首演(yǎn )于2016年。演出收(shōu )获(😮)了(le )媒(😟)体(tǐ )和评(🍑)(píng )论的一(🗝)致认可，《独(📈)立报(bào )》、《每日电讯报(🐧)(bào )》和(🤮)(hé )《舞(wǔ )台(🌝)报(bào )》五星(📺)好评，《泰晤(🌌)士报(bào )》和《卫报》也给(gěi )出四(sì )星(🈲)推(tuī(🦑) )荐。作品拿(🌴)下了当年(🙊)的奥利弗(fú )奖杰出成就奖(jiǎng )，阿(🍫)(ā )库(💡)·汉姆(mǔ(🔗) )也凭此获(♟)得了英国(🐘)国家舞蹈奖(jiǎng )最佳编(🍱)舞奖。

又到(🌽)(dào )了(📳)年(nián )末，阿(🖍)呆和阿瓜(😓)像所有人一样，开(kāi )始为圣诞节(❗)及(jí(⛰) )新年(nián )PARTY做(🦋)准(zhǔn )备，但(🔌)是，作为这(🤓)个世界上动(dòng )手能力(✖)最强(🌠)的小发(fā(🤱) )明家(jiā )，怎(🕣)(zěn )么能(né(🥩)ng )跟普通人一样来装扮自己(jǐ )的(➗)院子(🌶)和房子呢(🍨)？于是(shì(🙂) )，两(liǎng )个好朋友开动脑筋，对自己(🔕)的(de )家(👚)展开了不(🍴)一(yī )样的(🍃)(de )改造(zào )，当(😑)(dāng )然，他们也没有忘记帮自己的(🦄)(de )好朋(🔕)友选一件(🥌)(jiàn )“最(zuì )好(🚣)的(de )礼物(wù )”。

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.