In 2245, the Earth’s sun has dwindled and no longer provides the energy needed to sustain human life.Five hired mercenaries travel to an uncharted planet to collect a rare mineral known as stardust to replenish the dying star. After their spaceship crashes on the alien planet, they are stalked and hunted by a creature far more advanced than anything they have ever encountered before…
不管这导演嗑(🐱)了什么(me )很纯(🧞)的(de ),全部(🈚)都(dōu )要给你(🛐)来一(yī(🎀) )点!在澳(ào )洲(📳)这座曾(💓)经(jīng )被(🙅)称作(🕖)(zuò )「无主之(zhī(🍴) )地」(😍)(Terra Nullius)的(de )大陆,历(🍲)(lì )史(😚)以前所未(wèi )见(🚁)的观(🈁)点重新诠释:(🖖)当《疯(🐸)(fēng )狂麦斯》末日(🆓)场景(🔐)成(chéng )为难民拘(🎭)(jū )留地,食人(rén )羊成(🏸)为(wéi )反殖民叛(pàn )乱(🈚)份子,《沙漠妖姬(jī )》与(🚏)电视剧(jù )《请喜欢我(🧗)》有(yǒu )了跨时空的(de )酷(🛐)儿对话(huà )……本片(🍾)以(yǐ )近似DJ取(🆗)样混音(👃)之拼贴(tiē )手(🎖)法,打开(🈴)了虚(xū )构与(🔚)史实间(🕷)(jiān )的神(✈)秘黑(💨)(hēi )洞,大量援(yuá(🚎)n )引电(🈯)影(yǐng )名场景与(♌)(yǔ )历(🧤)史典故,穿越时(🕐)空(kō(🕤)ng )与各种语境(jì(📥)ng ),重写(🏆)、改写、乱写(📿),全面(🗿)(miàn )毁坏观众(zhò(💺)ng )的三观!这(zhè )是一部(🍴)政(zhèng )治复仇预言(yá(👜)n ),杂揉(róu )讽刺喜剧(jù(👘) )、生态恐怖(bù )与公(🥎)路电(diàn )影类型,写(xiě(🐵) )下澳洲国族(🍥)神话(huà(🐋) )从未被纪录(💙)(lù )的史(🙀)诗篇(piān )章。
不(🌮)管这(zhè(🌽) )导演嗑了什(🍹)么很纯(🌺)的(de ),全部(⭕)(bù )都(🍄)要给你(nǐ )来一(🖨)点!在(🕤)(zài )澳洲这座(zuò(🔔) )曾经(😵)被称作(zuò )「无(😂)主(zhǔ(🤑) )之地」(Terra Nullius)的(🙈)大陆(📣),历史以前(qián )所(✊)未见的观(guān )点重新(🐬)诠释:当《疯狂麦斯(🧤)(sī )》末日场(chǎng )景成为(😟)难民(mín )拘留地,食人(🐔)羊成为(wéi )反殖民(mí(🕓)n )叛乱份子(zǐ ),《沙漠妖(♋)(yāo )姬》与电(dià(✖)n )视剧《请(✊)喜(xǐ )欢我》有(🦓)了跨时(🔰)(shí )空的酷儿(💸)对(duì )话(👭)……本(běn )片(🔅)以近似DJ取(qǔ )样(🏟)混音(🔀)之拼贴手法,打(🥓)开了(🥤)(le )虚构与史(shǐ )实(📮)间的(🤨)神秘(mì )黑洞,大(🎑)(dà )量(♑)援引电影(yǐng )名(🏯)场景(🔲)(jǐng )与历史典(diǎ(📫)n )故,穿越时(shí )空与各(📠)种(zhǒng )语境,重写(xiě )、(⛓)改写、乱写,全面毁(⛅)坏观(guān )众的三观(guā(🐚)n )!这是一部(bù )政治复(🦖)仇预言,杂揉(róu )讽刺(🛍)喜(xǐ )剧、生(🐢)态(tài )恐(🧛)怖与公路(lù(👼) )电影类(✳)型(xíng ),写下澳(🍻)洲(zhōu )国(🐣)族神话从未(🗞)被(bèi )纪录的史(😍)诗(shī(🧗) )篇章。
20世(shì )纪福(📟)克斯(⏯)最(zuì )近买下了(🤥)Alma Katsu下部(💿)小说《饥饿》(The Hunger)(🐐)的电(🔜)(diàn )影版权,这(zhè(🥇) )部小(❣)说以(yǐ )《行尸走(💅)肉(ròu )》的风(fēng )格叙述(👢)了(le )北美历史上(shàng )最(🦊)恐怖的(de )一段“食人(ré(🏷)n )”历史。
“没有(yǒu )名字的(🥟)我,没有未来(lái )的她(🔘)”
Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol.
Jay Tanner and his crew have been getting rich off of faking demon hunts and posting them on YOUTUBE. Unfortunately for Jay and his crew this demon hunt turns real.