《家庭作业美国1980》7.

该故(🐍)(gù )事讲述(shù )了(📣)一个小男(nán )孩和意外(🏂)成(chéng )为了流(liú(🗣) )浪汉(🖖)的(de )柠檬水摊主(🐓)乔的

该(gāi )片是(🌳)《海蒂(🎌)(dì(🧘) )和爷爷》导(dǎo )演(💮)阿兰(🥢)(lán )•葛斯(sī )彭(🤵)纳最新力作，一(🧤)(yī )部(🚢)德(🤶)国版的(de )“饥饿游戏”！未(💇)(wèi )来社会(huì )阶(🌠)级分明，制度将(🚋)(jiāng )菁(🍞)英与(yǔ )弱者(zhě )划分开(🌩)来，前者享(xiǎng )有(🚾)富足(zú )的生活与保(🗝)护，后(hòu )者则被(bèi )遣送(✋)(sòng )到拥挤脏乱(🕡)的底(😅)层(céng )地区。为了(🦄)获(huò )得优渥的(💻)资(zī )源(🏟)，各(gè )类竞争无(💏)所不(😋)在。札克(kè )与娜(📳)迪(dí )获选参(cā(😻)n )加顶(🥂)尖(👼)大学保送资(zī(👁) )格的(🐑)体能训(xùn )练营(🎶)，他们(men )除了要(yà(🌚)o )合作(🔊)完(🌆)(wán )成各项任务，还得(🍇)(dé )在个人表现(😨)(xiàn )上拔得头筹(🚥)。相较(🤨)(jiào )遵守游(yóu )戏规则的(🏎)娜迪，向(xiàng ) 往自(🌗)由(yóu )的札(zhá )克开始(😜)质疑制度，两人的(de )摩擦(⏰)逐渐升高：一(📇)(yī )本(🍣)失踪(zōng )日记(jì(🕓) )、一起意外命(🛠)案，不仅(🛩)改(gǎi )变他们(men )的(😖)命运(😭)，也(yě )揭开扭(niǔ(🍤) )曲体制下的私(⭐)欲与(💜)谎(🏈)言(yán )。

After NASA picks up a trio of mysterious signals from within our own solar system, astronaut Roger Nelson is dispatched on a multi-year solo mission aboard the Magellan spacecraft to investigate the sources.

奧馬(mǎ )爾(🗼)在倫(🍩)(lún )敦過着富裕(🎁)生活，還有一年(🛁)就(jiù(🌗) )大(👱)學畢業，一 切看(kàn )似(🕣)安好(hǎo )。然後忽(🕛)然一天感(gǎn )召(🍆)來了(🤯)，他(tā )無法再忍受波斯(🛑)尼(ní )亞大批(pī(👗) )穆斯林被虐殺的報(🍅)(bào )道和影像，要做點什(🍝)麼改變世(shì )界(📎)。真(zhē(🐁)n )人真事改編，呈(⛪)現(xiàn )恐怖份(fè(🤤)n )子的(de )成(🌜)魔歷程；不從(🐑)英(yī(🎊)ng )美主流(liú )角度(🏚)去(qù )看，也不全(🤒)(quán )循(🖼)伊(🚞)斯(sī )蘭觀點，究(🏪)竟可(🎢)以折射(shè )出一(🐴)幅(fú )怎樣的(de )圖(🌟)像？(♈)觀(🐦)眾跟隨攝(shè )影機見(🍓)證奧(ào )馬爾在(🦎)巴基(jī )斯坦山(🔤)(shān )區(👁)受訓(xùn )，在新德里綁架(🔋)視(shì )為沉默同(🌙)謀(móu )的歐美遊客，策(📸)劃(huà )謀殺《華爾街日報(🍏)》記者(zhě )，以致最(🌌)後(hò(🏿)u )就擒。的確，人在(🛣)(zài )做天在(zài )看(🖌)，問題是(🍷)哪一個(gè )天在(🎩)看(kà(👀)n )。

嘉(jiā )庆年间，海(🍇)州之地(dì )官商(💖)勾(gō(🌃)u )结(🔲)腐败(bài )严重，乡(🌕)绅(shē(🐿)n )刘德高(gāo )与日(🥒)本人串通走私(🧓)鸦片(🍟)(pià(🦁)n )残害百(bǎi )姓。刑(xíng )部(🧕)尚书敖青密令(🍰)洪(hóng )涛前往特(🚨)查(chá(✌) )此案。

1891年，后印象(xiàng )派大(🏴)师(shī )保罗·高(🎤)更在巴黎(lí )的艺术(🤲)圈已(yǐ )小有名气，但为(🕓)文(wén )明社会(huì(🌲) )的虚(🏠)伪与矫情感到(⏳)(dào )厌烦。对于(yú(🍈) )原始世(🏷)界的渴望驱(qū(🚄) )使他(🔗)离(lí )开家中妻(🕵)小，来到(dào )南太(🛺)平(pí(🛵)ng )洋(🧙)的(de )大溪地；准(🏁)备好(💄)为(wéi )追寻已(yǐ(⛰) )久的自(zì )然、(🚠)野性(🥥)、(🌋)纯粹的(de )生活与创作(🐱)环境牺牲一(yī(🚁) )切。忍(rěn )受着经(🤔)(jīng )济(🎿)上的贫困和精神(shén )上(😙)的孤寂，高更走(📭)进丛(cóng )林深处(chù )，认(🧛)识(shí )了当地的毛利人(🌘)，邂逅了原住(zhù(🔁) )民女(🦄)孩德胡拉；一(🏒)(yī )段三角(jiǎo )关(💽)係也若(😾)隐若现地(dì )缓(⏸)缓浮(♿)出。这座远方岛(👲)屿彷佛(fó )是他(🈺)灵(lí(😄)ng )魂(🦊)的故土，此处充(chōng )满(㊗)生命(mìng )力的(de )人(☔)物面貌与地景(🤯)线(xià(🍎)n )条都成(chéng )为他的(de )缪思(🌭)，激发(fā )他创作(🎼)(zuò )出艺(yì )术生涯中(🚕)最具标志(zhì )性的大(dà(💾) )师之作(zuò )。

Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.

Two very different young men struggle to keep their grisly crimes a secret in a small town.

In 1986, three teens were brutally murdered after knocking on the door of 59 Oakwood Lane. The killer was never found. Over the next forty years, rumours turned to legend, and while few will admit to believing the stories, kids are still warned never knock on the door of 59 Oakwood Lane for fear of what may answer.On this Halloween night, Grace and her friends are going to wish they’d heeded the warnings and never knocked…(🛩)