生田斗(dòu )真、瑛(yīng )太(🕳)主(🤳)演前少年犯题材电(🥢)影(📍)《友罪》,改编自药丸岳(🤼)的(🏉)同名小说,由濑濑(là(🏴)i )敬(🔌)久执(zhí )导。
“NO BORDER 2D×3D” をキャ(💋)ッ(🎬)チフレーズに掲げ、2Dと3Dの(👵)境目をなくすクリエ(🛋)イティブな活動を目(✴)指(🔍)す3DCGプロダクショ(👘)ン(🕧)“Picona Creative Studio”。本作はどんなもの(🥎)で(♟)も捨ててみせるゴ(🌾)ミ(♐)捨て屋(wū )コンビと(😌)、(🚳)魔法(🍙)を捨てたい魔女(nǚ )が(🗒)繰り広げる、ファッ(💼)シ(♋)ョン× ポップ× ア(♋)ニ(🍘)メをキーワードに(🔰)魔(💨)法と科学を絡み合(🈺)(hé(🍦) )わせたスラップス(🥠)テ(🌕)ィック・アニメーシ(🍻)ョン(😫)。同社(shè )が長年(nián )温め(🕖)てきたオリジナル企(🔕)画(🎤)が、ついに実現!
After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.
被(🥙)誉(🌑)为“二十一世纪大师(🕸)(shī(🔄) )舞作”的阿库(kù )·汉(🍽)姆(🧕)(mǔ )版《吉(jí )赛尔(ěr )》,由(🕒)(yó(🥥)u )英国(💩)国(guó )家芭蕾(lěi )舞团首(✉)(shǒu )演于2016年(nián )。演出(chū )收(🍻)获(🎦)了媒体和评论的一(🖤)致(📎)认可,《独立报》、《每日(🔞)电(🏉)讯报》和《舞台(tái )报》五(🏼)(wǔ(👥) )星好评(píng ),《泰(tài )晤士(🏭)报(🥔)(bào )》和(hé )《卫报(bào )》也给(gě(🐪)i )出四(⛽)星(xīng )推荐。作品拿(ná )下(😬)了当(dāng )年的奥利弗奖(🍬)杰(🔓)出成就奖,阿库·汉(🎲)姆(❕)也凭此获得了英国(🔬)国(🎾)家舞(wǔ )蹈奖最(zuì )佳(🧐)编(⛵)舞(wǔ )奖。被(bèi )誉为“二(🍎)十(🍆)(shí )一(💷)(yī )世纪(jì )大师舞(wǔ )作(🏋)”的(de )阿库·汉姆版(bǎn )《吉(🐧)赛(👵)(sài )尔》,由英国国家芭(🧔)蕾(📅)舞团首演于2016年。演出(🐨)收(🕣)获了媒体和评论的(🕑)一(☝)致认(rèn )可,《独立报(bà(🐰)o )》、(📻)《每日电(diàn )讯报(bào )》和《舞(💇)台报(🔀)(bào )》五星(xīng )好评,《泰晤(wù(🥗) )士报》和《卫报》也给出四(🚄)星(🚣)推荐。作品拿下了当(🗞)年(📦)的奥利弗奖杰出成(🚛)(ché(🏩)ng )就奖,阿库·汉姆也(👍)(yě(🧗) )凭此获(huò )得了(le )英(yī(💧)ng )国(🌴)国(guó(📻) )家舞蹈(dǎo )奖最佳(jiā )编(📧)舞奖(jiǎng )。
Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..
拉敏(mǐn ),一个(gè(🌽) )在(🦂)墨西哥的伊朗移民(👔),背(🎂)负着他的过去:字(🌽)面(⚾)上,以韦尔斯的形式(❄)。在(⛰)(zài )Luci_rnagas,一个(gè )Skype对话显(xiǎ(💀)n )示(❕)他已(yǐ )经把他(tā )的男(💩)(nán )朋(🥅)友留(liú )在土耳(ěr )其了(🤬)。
After being double-crossed by Hondo on her own ship, Maz tells some stories.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
A troubled streetwalker meets a mysterious hitman. Together they go down an action-packed rabbit hole of sex, violence, lies, and synchronicity.