叶启田6.

Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol.

藝術家自古皆寂寞(💢)或(huò )許(xǔ )是(shì )境(jìng )界(➿)，人到(🎖)中年萬事憂則是(🚑)現實(🤷)。在畫室洋洋灑灑(🗑)(sǎ )呈(🧕)(chéng )現(xiàn )自(zì )由(yóu )雄(🍣)風(🚉)的裸男畫作令(lìng )他一(🔮)舉成名，在家面對前妻(🌍)懷(huá(⛹)i )着(zhe )新(xīn )歡(huān )骨(gǔ(🔊) )肉、(🕹)與女兒相處尷尬(🌎)卻(🥙)令(😂)他一籌莫展。貝蒙特(tè(🌜) )的(de )寂(jì )寞(mò )，在於如何(⏸)在著(🍬)名畫家與單親爸(🧖)爸雙(🐯)重身份、藝術(shù(🐡) )創(✔)(chuà(😺)ng )作(zuò )與(yǔ )家(jiā )庭生活(⚪)之間取得平衡。維羅（(🎶)《電影(📞)就在街角》，35 屆(jiè )）(💑)找來(🏩)合作多年的編劇(💟)兼美(⚫)指好友對號入座，還(🈶)原(🚔)(yuán )藝(yì )術(shù )家(jiā )有(yǒ(⚫)u )血有肉的矛盾本性(xì(📒)ng )，在出(📦)世與入世的兩難(🔧)外，毋(➡)(wú )忘(wàng )點(diǎn )點(diǎ(🎰)n )超(🎦)(chā(🚡)o )現實的幽默。

“我的一生(🥦)中只害怕一件事，就(jiù(✏) )是(shì(👝) )有(yǒu )一(yī )天(tiān )，黑(🌳)色会(🛅)吞没红色。”

收到媽(🚫)媽(📰)從(🧓)山上寄來的蜜(mì )蘋(pí(🌜)n )果(guǒ )，小(xiǎo )月計算著，媽(🖋)媽已(🏑)經在外工作許久(💌)了，媽(🛷)媽的搖(yáo )籃(lán )曲(🥁)(qǔ )總(🈂)(zǒng )是在耳邊呼喚著(🐑)。『(✖)你媽多久沒回來了？(🚸)』是小(xiǎo )月(yuè )（13歲(suì(😙) )）與(🏜)碧艷（15歲）兩個(🚫)(gè )小(⏩)女孩彼此關心的(📚)話(📑)語(📀)。

Au Ve siècle, la ville d’Aquilée, près de Rome, est mise à sac par le terrible Attila et ses Huns. Odabella, fille du chef de la cité, a échappé au massacre de toute sa famille et tient tê(🍍)te au barbare. Impressionné par sa beauté et son courage, celui-ci lui demande sa main. Mais la jeune femme n’a qu’un désir : assouvir sa vengeance. Pendant ce temps, son amoureux Foresto parvient avec d'autres survivants de la ville sur la lagune de la future Venise…

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?

这部电(👋)影以(🎄)著名作家兼记(jì(🔙) )者(zhě(🎊) )Mintu Gurusariya的(de )自(zì )传(chuán )Dakkuan da Munda为基(👭)础。当(📉)他是一名年轻的卡巴(📜)迪球员时，Mintu成为(wéi )吸(xī(🕸) )毒(dú(🎨) )成(chéng )瘾(yǐn )者。接触(😪)毒品(📋)也将他引入犯罪(🐜)市场(🤹)。但今天，他(tā )成(chéng )了(🚶)(le )年(👭)(nián )轻人及其家人的灵(👰)感，因为他设法摆脱了(🙈)他的(🆒)束(shù )缚(fù )，打(dǎ )破(📅)(pò )了(🔌)他与毒品和犯罪(🚺)的(🍙)关(🍢)系。