扫一扫手机看
A collection of horror stories involving cannibals, zombies “and other funny creatures”.
查(chá )理和布希(xī(🚴) )這(🛏)(zhè )兩名熱衷靈異事(shì(🗑) )件(🥢)的追(zhuī )鬼狂熱者(zhě(🍱) ),只(♋)要哪裡鬧鬼就(jiù )能(🙄)見(🦏)到(dào )他們的身(shēn )影。兩(🤘)(liǎ(😄)ng )人對於全美(měi )最凶的(🚃)(de )靈(🚲)異地點(diǎn )「悲慘(cǎ(📑)n )山(🥔)」公路深感著迷(mí(🍄) ),當(⬜)然不(bú )可能輕(qīng )易(🏃)放(👃)過(🍰)這個捕捉(zhuō )鬼(guǐ )影的(🈳)難得(dé )機會。而兩人在(👅)抵(♌)達當地(dì )後,也接連(⛺)目(👦)睹(dǔ )各種離奇詭異(🌘)的(🌻)超(chāo )自然現象。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
一对(duì(😽) )情(🍥)侣外出度假,入(rù )住豪(🚀)宅(🦀)(zhái ),然而,当(dāng )他们半(🛃)夜(🏊)醒来,却发现(xiàn )自己(🌙)躺(🎫)在(zài )一个处处充斥着(🐫)恐(✝)(kǒng )怖氛围(wéi )的荒弃诡(🅰)(guǐ(👂) )宅中……他们意欲(🎸)(yù(🎗) )逃离,然而却始(shǐ )终(🐐)逃(🙎)不(bú )出去,努力奔逃(📤),但(🧑)逃(🔕)往的(de )地点却(què )还是这(🧤)所诡异的(de )荒(huāng )宅……(🐩)更(🤯)(gèng )恐怖的(de )是,当他们(🐌)再(🛂)度回(huí )到这座诡宅(🐑),却(🏖)(què )发现,时间跟他们(men )走(🈳)出(🏉)去的时间,一样……
故(🎂)事(🦊)发生(shēng )在墨西(xī )哥(👛)城(🌎)的一(yī )个(gè )中产阶(⭐)级(😥)社区“罗马”,讲述年(nián )轻(🏐)女(🌎)佣克里奥(雅(yǎ )利扎(🎤)·(💏)阿巴里西(xī )奥饰)(🦒)在(🕠)雇主索菲(fēi )亚(玛(🥏)(mǎ(🏜) )丽娜·德(dé )·塔维(🙆)(wé(♑)i )拉(🤔)饰)家中工作,该家中(🍔)索(suǒ )菲亚的(de )丈夫长期(🌜)在(🐂)外,由(yóu )女佣克里(lǐ(🕞) )奥(👓)照顾(gù )索菲的四个(🌛)孩(🌧)子。突如其来的两个(gè(💳) )意(🐐)外,同时砸中了(le )女佣克(🐗)里(🌤)奥和雇(gù )主索菲亚(👕),两(📳)人究(jiū )竟该如何面(🔴)对(💢)苦(kǔ )涩(sè )茫然的生活(🚚)?(⛑)四(sì )位孩子(zǐ )似乎是(🗡)希(〽)(xī )望所在。 这是以导(📼)(dǎ(👷)o )演阿方(fāng )索·卡隆(🐠)(ló(🔣)ng )的儿时记忆铸成的(🐠)(de )影(💹)片(🥧),而卡隆其(qí )实就是(shì(🔝) )片中某一位小孩。
The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.
《驴为(🥑)媒(📻)(méi )》故事(shì )发生在当(💃)下(🥘)鲁西大(dà )地上的聊(🐤)(liá(🚦)o )城市,讲述的是在京打(🥉)(dǎ(🐛) )拼(pīn )多年的有志青年(🚂)(niá(❔)n ),得知老家惠民政(zhè(📎)ng )策(🙊)后,回乡养驴(lǘ )、带(👇)领(🗻)村民脱贫致(zhì )富,实现(📟)自(🌄)己创(chuàng )业(yè )梦,并赢得(🏕)爱情(qíng )的故事(shì );讲述(💞)了(🙎)党(dǎng )的精准扶贫政(📎)策(🥤)和(hé )乡村振(zhèn )兴战(📫)略(🤞)在(🕶)(zài )齐鲁大地的生动实(shí )践,展(zhǎn )现了基层(cé(❤)ng )党(🚝)员干(gàn )部在全面建(🎸)成(🤥)小康(kāng )社会进程(ché(📹)ng )中(🅰)的“主心骨”形象。电(diàn )影《驴(💶)为(wéi )媒》坚(jiān )持“小成本(♍)、(🥌)大(dà )情(qíng )怀、正能(🔂)量(🎷)”的(de )创作宗旨,紧扣当(🏼)(dā(🆘)ng )前乡村振兴和精(jīng )准(🎀)扶(🦆)贫主题,将社(shè )会效益(🥪)、价值引(yǐn )领(lǐng )放在(🐬)首(🔥)位,引导(dǎo )人们努(nǔ(⤴) )力(🤸)实现个(gè )人前途与(⛰)国(😌)家命运(yùn )、个体(tǐ )经(🅱)历与时(shí )代大潮、个体(😤)情(🔪)感(gǎn )与国家(jiā )情感(🚞)的(🛺)同(tóng )频共振(zhèn ),激励(🕳)人(👆)们向上向(xiàng )善,自觉(jiào )践(🎭)行社(shè )会主义核心价(🎰)值(🏩)观(guān ),讴歌党(dǎng )、讴(🌮)歌(🍁)(gē )人民、讴歌新时(😢)(shí(📝) )代(dài )。
Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?
“NO BORDER 2D×3D” をキャッチフ(🎯)レ(🐉)ーズに掲(jiē )げ、2Dと3Dの(🐅)境目をなくすクリエ(🔯)イ(😴)ティブな活動を目(🔆)(mù(🚈) )指(zhǐ )す3DCGプロダク(📨)シ(🔸)ョン“Picona Creative Studio”。本作(zuò )はどんな(🆖)ものでも捨ててみせる(🕴)ゴ(🌽)ミ捨て屋コンビと(⏫)、(🙄)魔法(fǎ )を捨てたい(🤥)魔(🌉)女(nǚ )が繰り広げる、フ(🎐)ァッション× ポップ(🧗)×(🦏) アニメをキーワー(🏘)ド(💇)に魔法(fǎ )と科学を(🕴)絡(🗂)み合(hé )わせたスラッ(💝)プ(🛍)スティック・アニメ(🔋)ーション。同社(shè )が長(🎂)年(🔥)温めてきたオリジ(🥣)ナ(🛌)ル企画(huà )が、つい(🔻)に(⛽)実現!