线路四
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钱麟遂(suí )父亲心愿(🔵)，带(dài )上门(🔻)客亦卿和(hé(🔏) )小厮春子(🐫)，来(lá(🚴)i )到七(qī )灵(líng )峰找(🔄)辛于学习(👔)(xí )剑法。亦卿(😺)与(yǔ )辛于(🔽)因为(🚕)投缘(yuán )结为知音(🙁)，岁(suì )月静(🎓)好(hǎo )。子夜来(🕑)到辛(xīn )庄(🌆)要挑(🐯)战辛于(yú )，被辛于(🍅)重伤(shāng )，钱(🗯)(qián )麟却对子(zǐ )夜一见(🌁)(jiàn )如故，教(😰)他辛(xīn )于的(🌝)剑法。亦(yì(🍸) )卿看出子夜身(shēn )上戾(🧢)气(qì )，劝阻(〰)钱麟，钱麟毫(📺)不在意(yì(🎰) )。子夜却在剑(jiàn )术精进(🐚)后杀了(le )钱(🤧)麟的(de )师父辛(🌱)于，两(liǎng )人(😊)积怨(🌮)。辛于(yú )死后，子夜(💠)在(zài )江湖(🔢)(hú )声(shēng )名鹊(✒)起，并暗(à(🎦)n )中送(📣)银子给钱(qián )麟。子(🔘)夜与钱(qiá(➖)n )麟相遇，两人(🥎)(rén )间隙更(🗻)(gèng )甚(🚿)，亦卿见钱(qián )麟对(👪)自己疏离(🕚)(lí )，也伤怀离开(kāi )钱府(⏬)……
七位(📘)(wèi )女导演(yǎ(🎟)n )的恐怖故(🦂)事拼(pīn )盘。
明朝嘉靖(jì(🏁)ng )年间，倭患(🛢)不(bú )止。朝(chá(🦁)o )廷惊闻有(🌩)民间(jiān )组织和朝廷官(💲)(guān )员里通(👣)倭寇，渔利国(⏩)家，于(yú )是(⚫)责令(💧)(lìng )六扇门负责侦(🍪)(zhēn )查并找(🌄)出官员(yuán )通(💸)倭证据。六(⛎)(liù )扇(📜)门(mén )小(xiǎo )捕快陆(🗜)(lù )小虾临(💋)(lín )危受命，同时(shí )被六(🏔)扇门(🏜)总捕(bǔ )头于初心(😐)派人(rén )追(🧑)杀，危难之际被“山河兵(🈁)团”的(de )七爷(👍)所救并带(dà(🏁)i )回兵团之(🥠)中。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
Two very different young men struggle to keep their grisly crimes a secret in a small town.