《艾草仙姑》6.

《莫霍克(kè(🎥) )人》立意(✴)为(🙋)(wéi )历史剧，发(fā )生于1812年第二(🚨)(è(👭)r )次独立战争(zhēng )接近尾声之(✝)(zhī(🥄) )时，但随着美国(guó )原罪在眼(🛋)前(✌)(qián )展开，由此(cǐ )产生的神秘(📹)(mì(🙋) )色彩和恐怖(bù )效应让这部(📐)(bù(✨) )影片(🔒)真正成了令(lìng )人毛骨(📓)悚然(rá(😘)n )之作。

明朝(cháo )中叶，皇(🌧)帝(♓)(dì )怒查(🍀)军粮亏(kuī )空，钦定为空(💛)印案。三(♓)法(😨)司(sī )衙（俗称六(liù(🔈) )扇门）(💆)奉(🍒)命(mìng )追查，以季(jì )同(🍟)归为首(🚎)的(⏳)(de )捕头反被陷害，无奈之际隐(🎏)(yǐ(🍈)n )姓埋名继续(xù )追查。案件(jià(📞)n )明(🐲)朗，东厂(chǎng )提督与国相(xiàng )先(💋)后(📖)叛乱，危难(nán )之际六扇门(mé(🧠)n )联(🎙)合锦衣卫(wèi )挺身而出。

青龙(🚙)集(🥢)团董(🏀)(dǒng )事长过世后(hòu )，给青(🎱)龙集团(🐮)太(tài )子爷留下了(le )镇帮(🈷)之宝：(🌼)一支可以号(hào )令整个(👱)青龙(ló(😓)ng )集(🥦)团所有人的大哥大(🎪)手提电(👣)(dià(📂)n )话。一日，太子爷独自(🏪)(zì )去按(🏚)摩(🐑)院按(àn )摩，青龙公(gōng )司一群(❤)起(🐄)了异心(xīn )的小人得到(dào )消(😮)息(🤤)后，来(lái )到按摩院准(zhǔn )备劫(💜)持(🎚)太子(zǐ )爷，夺走可(kě )以号令(🔭)青(✔)龙公司(sī )上下的大哥(gē )大(🍡)，欲(⛓)控制(🍋)(zhì )整个青龙集(jí )团。哪(🌄)知(🚨)阴(yī(👻)n )差阳错将身(shēn )怀太极(🕠)推拿绝(👜)技(jì )、胸有大志(zhì )，却(💮)因低微(👘)(wē(😈)i )的工作被周(zhōu )遭人(🔂)嫌弃的(😰)(de )按(🎏)摩师阿宝当成了太(🌾)子爷并(🙉)(bì(🗄)ng )将其绑架。阿宝乘乱逃(táo )出(🌗)后(🌐)，去找(zhǎo )女朋友阿朵(duǒ )，不料(🎱)阿(📚)朵父亲(qīn )因欠人钱，被白虎(🍝)帮(🥙)挟(jiā )持，阿宝答(dá )应三天内(💹)替(🛒)(tì )阿朵救出父(fù )亲。阿宝、(🚫)阿(🕢)朵(duǒ(🎾) )以及真正的(de )太子爷策(⛰)划(🤢)(huá )了(🐀)一场一箭(jiàn )双雕的好(🚀)戏(xì )，却(🚖)上演了(le )一场又一场啼(🖇)笑(xiào )皆(🚩)非(🗨)的“闹(nào )剧”，一边(biān )是(🌋)青龙集(😕)团(😔)(tuán )错认阿宝为(wéi )太(😊)子爷，一(🌠)边(👂)是阿宝错认为(wéi )这是未来(🛀)老(🍮)(lǎo )丈人的考题(tí )，将青龙集(🚥)(jí(👗) )团上下骗得(dé )团团转。阿宝(🍖)和(💪)(hé )阿朵从合作(zuò )布局，到产(✖)(chǎ(🍹)n )生误会，到(dào )合力救出阿(ā(➕) )朵(🛅)的父(⚽)亲，磨难重重，考验(yàn )不(🕷)断(😄)。剧情(♏)(qíng )跌宕起伏、搞笑逗(👈)逼，按摩(🍼)师阿宝(bǎo )更是成为了(🧗)(le )承载底(📐)层小人物(wù )英雄情怀(🕡)以(yǐ )及(😊)忠(🚏)贞爱情(qíng )的一代了(😟)不(bú )起(🚴)的(🕚)“按摩(mó )侠”！

Mowgli who is in search of the legendary creature, the Giant Claw. Along the way, he discovers the evil plan of Shere Khan and must race against time to stop it to save a friend.

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

A shell shocked war veteran returns from Iraq to Detroit and finds the American Dream in ruins. Jim vanBebber is coming home - to war.